July 2, 2008
Kyoto JAPAN
Touring the Temples and Gardens of Kyoto, Lunch at the Garden Oriental, and Traditional Japanese Cormorant Fishing
Every day during SAKURA season I was blown away by the beauty of the Japanese cherry blossoms in full bloom. Even in Tokyo, a sprawling metropolis, the cherry blossoms made one feel as though one is floating through an imaginary dream world. Well, little did I know that I was to re-encounter such a swell of emotions in Japan's ancient capital city, Kyoto.
In order to maximize my time in Kyoto, Maki-san prepared a detailed itinerary of things to do and emailed it to me early this morning. I subsequently printed off the list of locations, phone numbers, and corresponding background information in the business center of the New Miyako Hotel. At 10:00 a.m., my mother and I set off for a full day of touring Kyoto - with nine pages worth of documents in hand.
Our
first stop was at TOFUKUJI (1236), which is a
massive compound containing buildings, temples, and
gardens all built in the ZEN style. We had a
difficult time locating the attraction because it is
tucked away in a walled neighborhood in an old part of
Kyoto, which is really not saying much because much of
Kyoto is so old. Anyway, it took about 20 minutes of
searching and the help of numerous Japanese locals. As
another demonstration of the kindness of the Japanese
people, there was one elderly woman who gave me
directions, and then three minutes later pulled up
alongside me on her bicycle to say that I had made a
wrong turn - she had actually followed me to make sure I
did not get lost!
TOFUKUJI
was built by a famous statesman, KUJO MICHIIE,
during the KAMAKURA ERA. He was attempting to
create similar zen temples found in NARA, a
former Japanese capital city south of Kyoto. Each letter
of TOFUKUJI is a combination of one character from each
of these zen temple names in Nara.
We
approached the compound after crossing an old wooden
bridge, pictured to the right. Then, after passing
through an imposing gate (old homes in Kyoto are all
walled along the perimeter), the complex opened before
our eyes. We bought tickets at the ticketing counter and
proceeded through the zen gardens, saving the National
Treasure architecture for last.
While while most people try to emulate the beauty of Western gardens, with exotic flowers and ornate arrangements, I doubt anyone fails to see the beauty of a Japanese garden with all its elegant simplicity. The weather-worn wood, historic design, perfectly sculpted landscape, immaculately raked stone gardens, and the calming sensation created by hand-planting every last flower and tree is something that represents much of what I love about Japanese culture. Once more, I was discovering the feeling of MONO NO AWARE.
The latter pictures above show the zen architecture, including what is widely viewed as the best example of all "Zen Buddhist Gates." I don't know enough to comment on this, but I will say that it is far more imposing than the pictures make it seem.


Since our schedule was
packed with different places to visit, we could not
afford to waste any time walking back to the train
station and transferring. Instead, my mother and I
hopped in a taxi for the 10 minute drive to
SANJUSAN-GENDO, which is the longest wooden building
in the world (nearly 120 meters).
What
makes this such an amazing attraction is not so much the
long building, or even the equally impressive
architecture in the surrounding complex, but the
collection of over 1,000 Buddhist statues. These
statues, carved out of cypress and layered in gold leaf,
are ten statues deep, and stretch the length of the
hall. Additionally, there are larger statues of
important BODHISATTVA every meter or two. Pictures were
forbidden inside the hall, but I conducted an internet
search that yielded the photo to the left.


By
the time we finished the second main attraction for the
day, it was already 13:00, and I had made a lunch
reservation at Kyoto's famous Garden Oriental
restaurant for 1:30p.m. Once more, we hopped in a taxi
and rode to one of Japan's most famous streets, NENE NO
MICHI (The Path of Nene), which is where the restaurant
is located. There were several men in business suits
waiting at the gate, and after calling inside to confirm
our reservation we were allowed through - such is the
prestige of this restaurant.
I ordered another
full-course meal with most of the dishes being
Japanese-prepared Italian, along with the obligatory
wine that I can only afford to drink when someone else
is paying. The food, ambience, and service were first
class, as is indicated by this
newspaper article I found on the web.
After lunch, I was feeling considerably more relaxed and was less worried about "checking off all the boxes" on the itinerary. Instead, I decided to slow down the frantic touring pace, and so we embarked on an hour long walking tour through downtown Kyoto. We started near NENE NO MICHI, where a collection of up-scale shops were selling rare Japanese cultural items. My mother was tempted by the wood-block prints that hang on silk screens, but as they were actual antiques - the kind of artwork a connoisseur would appreciate enough to justify the high cost - I persuaded her not to make any purchases. The photo to the right, although different from what we saw, is of the same general genre.
Remainder of post, and subsequent posts, to come soon!
July 1, 2008
Hiroshima, Himeji, Kyoto JAPAN
Climbing Misen Mountain, Hiroshima's Peace Museum, Japan's Best Okonomiyaki, Brilliant Himeji Castle, and Arriving in Kyoto
I had hoped to head down to the ONSEN once more this morning, but I was too mentally and physically exhausted from the extensive travel over the past week. Instead, I was happy to pull myself together in time for the 7:30 a.m. Japanese breakfast served in the main dining area. I discussed the day's plans with my mother, including my hope to climb Mt. Misen before our 10:00 a.m. check-out.

I
set off to climb the mountain at around 8:30 a.m., which
was far later than was wise but between taking care of
emails, packing, and breakfast there was little
alternative. I took with me a camera, my mobile phone,
loose change, and a printed map of the island, and set
off at a brisk pace. From the RYOUKAN, I headed straight
back into the island, climbing parallel to a stream that
runs down from the mountain. With 15 minutes, I located
the proper climbing route and from here onward it was
all steeply uphill.


I
searched out a strong climbing stick in the thick
underbrush and used this to propel myself along at a
faster rate. By 9:00 a.m. I still had another 1.5
kilometers of climbing to go, and then there was the
problem of getting down in time for the 10:00 a.m.
check-out, so time was becoming a serious concern - in
Japan, a certain time means a certain time.
I
only passed two other climbers on my way up: both were
elderly Japanese men, and both were more than happy to
exchange a few pleasantries with me. I knew better than
to simply rush past them, which would have been
extremely rude, so I used these encounters to catch my
breath. Each time, the men wished me well in finishing,
and probably smiled to themselves afterward thinking,
"Ah, the impetuosity of youth: rushing through an
experience that is meant to be enjoyed!"
I
reached the spine of Mt. Misen with about half a
kilometer still remaining, but from here it was easier
going: the path ran along the crest of the small
mountain with a less severe incline. Additionally, the
views were far more panoramic in their scope, although
the greenery and sounds of flowing water and wildlife
were nothing to complain about. Indeed, I passed a
number of wild deer on my way up, most of whom only ran
off if I tried to approach them too quickly or if I made
a sudden movement. The doe shown below allowed me to
quite close, although she kept her eyes firmly fixed on
me as I passed.


The
apex of Mt. Misen is obviously a holy place, as is the
entire island, so I stopped at the shrines and gave
small offerings - both performing the ritual clapping
and praying, and depositing the loose change I brought
along for this very purpose. Strangely, no matter how
much of a rush one is in it is always possible to spare
a few extra moments - no matter how much we like to
think otherwise.
The view from the highest vantage point is always going to be something special, and Mt. Misen was no different. I only had a couple of minutes to savor the view because it was already 9:30 a.m., meaning I had 25 minutes to descend 2.8 kilometers of trail.


I finally stumbled back, sweaty and exhausted, into the RYOUKAN room at 9:53 a.m., where my mom was fully packed and ready to check-out. I sent her ahead with my bags, grabbing what I needed so that I could stay in the room and shower before leaving. In the end, it worked out fine and we didn't have to pay the exorbitant late check-out fees, which seemed ridiculous to me anyway considering the rates of IWASO.

We
were driven to the ferry terminal in the IWASO minivan
where we bought tickets and boarded the 10:45 ferry back
to the mainland of Honshu. After 30 minute quick train
ride, we alighted at Hiroshima Station. Rather
than hopping directly on a Shinkansen train, I decided
to see some of Hiroshima, notably the famous Peace
Museum. My mother and I left our bags in a train
locker and caught a taxi to the museum, which is in
Hiroshima's Peace Memorial Park, only a few
kilometers from the station.
Established in 1955, and charging only 50 yen ($0.50) for admission to attract more visitors, the Peace Museum presents the history behind the atomic bomb dropped on Hiroshima as well as pushing for the need to abolish all nuclear weapons in the world. The East Wing of the large complex deals with life in Hiroshima before the bomb was dropped. The information was both informative and fair-minded, citing all the facts without needing to add any bias. Needless to say, I lost count of the number of people, mostly foreigners, who were in tears as they walked through the museum.
By the time I reached the second half, the West Wing, I was shell-shocked enough to deal with the after-effects of the bombing - notably radiation illness, destruction, death, scarring, severe burns, and all the other awful things brought on by a nuclear explosion. The museum is massive, so there is no way to recount everything. Instead, pictures are easiest. They are worth looking through.
As a few closing remarks for the Peace Museum, and more specifically related to the use of atomic bombs, it would be negligent of me not to address the use of atomic weaponry by the United States in World War II.
"The use of atomic bombs was not necessary." This is a common criticism leveled toward Command Headquarters, and it is certainly a fair question to ask. Let us not forget, Hiroshima and Nagasaki are the only times in history when nuclear weapons have been used for non-developmental purposes (i.e. to kill). The debate centers around two conflicting points of view.
Those who, with the benefit of hindsight, are opposed to the use of atomic bombs generally feel this way out of an ethical dilemma - atomic weaponry is immoral as it targeted civilians and can thus be viewed as a war crime.
Conversely, those who, with the benefit of hindsight, support the use of atomic bombs (in this instance), generally feel so because it saved more lives for both Japanese and Americans. Without dropping the bombs, which did trigger the end of the war, an invasion would have been necessary, and the Pacific Theater was already the deadliest in the world.
I am not sure where I stand on the matter because it is complex both in a military-strategy sense and in a moral sense. I do support the idea that the use of atomic weapons quickened the war's end, which in turn saved more lives. There was widespread bombing at the time that was also killing hundreds of thousands of Japanese civilians, and if there was an armed invasion this bombing would have gotten worse; the Japanese were prepared to fight door to door until the death. Conversely, I think United States command could have handled the situation better by (1) warning the Japanese that the bombs would be dropped, and (2) perhaps holding out for longer before using the bombs. However, these are easy claims for me to make and they may not be justifiable.
The counter to (1): after the first atomic bomb was dropped, Japan still did not surrender, which "necessitated" a second bombing of Nagasaki. Thus, a warning likely would not have been heeded, and using the atomic bombs still would have been necessary. Nevertheless, a warning would have been morally better because civilians could have protected themselves underground.
The counter to (2): How long is enough for waiting? This could have gone on indefinitely, and that was no good for Allied Command because they feared the Soviet Union would move into Japan soon thereafter.
Enough of the depressing stuff. There was actually a very kind Japanese woman in the museum who approached me and began showing me around several of the exhibits, mixing her English with Japanese so we could converse. What has stuck with me about this woman was not her knowledge, which was impressive as she volunteers at the museum, but her upbeat outlook toward what happened. While she recognizes it was a horrific tragedy, she is more concerned with staying positive and teaching others so that this kind of thing never happens again. Indeed, I left the museum strongly believing atomic weapons should be laid to rest forever, however much I once adhered to the theory of Mutually Assured Destruction.
After
lunch we caught a taxi back to the Hiroshima train
station, where I had the taxi driver direct us to the
"best OKONOMIYAKI around." It was not hard to locate the
place, which was on the second floor of a shopping mall
attached to the station.
OKONOMIYAKI,
shown to the left (photo taken after I started digging
in), is famous in Hiroshima because they use a "magic
sauce" that is tastier than everywhere else in Japan.
The chefs layer the concoction of pan-fried batter with
cabbage, cheese, chopped octopus, and a host of other
goodies, and then throw in some tasty noodles to boot.
Served with ice-cold draft beer, nothing tastes better!
After lunch, we rode the SHINKANSEN for about an hour to the city of HIMEJI. This would only be a stop on our way to Kyoto, where we were booked into a hotel, but it would prove to be one of the best parts of the trip. The reason is simple: Japan's greatest castle, HIMEJI CASTLE, exceeds any expectations one may have. The white elegance and imposing size are impossible to grasp without seeing it for yourself, but once more I will give it a go... Using photographs!
We
caught a 19:00 Shinkansen train from Himeji to
Kyoto where it was only a five minute walk to the
NEW MIYAKO Hotel. Typically a haven for traveling
businessmen for its convenience, the New Miyako Hotel
also had a fair representation of foreign families on an
amazing vacation in Japan. I was actually very surprised
by the hotel's amenities, which included internet access
in the room, a business center with free printing, and a
great selection of in-house restaurants. Perhaps these
"amenities" are fairly normal, but after having stayed
in RYOUKAN for the past four days the setting was very
different.
After dropping our bags off in the room, my mother and I headed back down to the ground floor where we dined at the RONDE. As may be obvious at this point, it had been a very long day, so I did not hesitate to order a bottle of Chardonnay and a full course Japanese meal. We then spent the next few hours unwinding with the help of mankind's most convenient relaxant: alcohol.
Tomorrow, the heavy-duty touring of Kyoto will begin.
June 30, 2008
Miya Jima JAPAN
Touring Oita's Seven Hells, Riding the Shinkansen off Kyushu Island, Arriving on Miya Jima Island, Discovering Mono no Aware, and Another Amazing Onsen Ryoukan
The only disadvantage of the Beppu Ryoukan at which I
slept last night is that it is facing west out over the
Pacific Ocean. Somewhat predictably, when the sun broke
over the horizon at 4:45 a.m. I
was left with little choice but to rise with it. I held
out for as long as possible, pulling the pillow over my
head and closing the blinds, but eventually I caved in
and headed down to the ONSEN on the ground floor.
In
the movie Apocalypse Now, Lt. Colonel Bill
Kilgore comments, "I love the smell of napalm in the
morning." Although I do not share his affinity for the
deadly substance, I do love the feel of an ONSEN in the
morning, even if I am sharing it with half a
dozen naked elderly Japanese men spread out over several
hot baths. Although there was a private ONSEN in my
bedroom, shown to the left, the small tub is nothing
compared to the grander options in the main bathing
area.
After a multi-course
breakfast served in a private room (one of the biggest
attractions of a Ryoukan is that first-class meals are
included in the overall price), we set off for the
morning. We had a few hours to kill before everyone
headed their separate ways - some back to Tokyo while my
mother and I would continue traveling by SHINKANSEN - so
we decided to tour the infamous "Seven Hells of Oita."
These
are a collection of hot springs attractions that each
have something unique about them. Presumably, the
unifying theme is that the hot water is indicative of
something deadly and hellish.
The
first place we visited was probably my favorite as it
most closely resembled what Dante's idea of Hell
must look like. Although the entrance was charming
enough, with a placid pond and an immaculate landscape,
we soon reached the steamy bog where Hell was literally
breaking loose.
The
name of this particular tourist attraction means
something like "Watery Hell," which may not have
taken much time to come up with, but at least it does
not miss the mark. As for the thick clouds of steam,
which can be seen in the pictures below, it was
continuously pouring out of rock openings, which must
stretch deep into the earth's core - although I doubt
there is anything resembling a "direct route" into which
one could simply fall (or push a sibling.) Anyway,
pictures are probably the easiest, and certainly the
most interesting...


The
next attraction on the agenda, "Blood Pond Hell"
(the poor grammar is not my doing, for once), was not
designed for those unlucky few who are colorblind.
Indeed, such people would wonder what the big deal was
about a pool of water with only a slight mist over it.
The big deal is obviously that the water is blood red,
although I wouldn't be surprised in the least if the
water was dyed to look that way. A wise man once
commented there is a pessimist in everyone (and if a
wise man never said such a thing then he probably should
have).
For a quick know-your-facts lesson, this pool of water was formed in 1945 (or 1946) when the pressure blew a massive boulder hundreds of meters in the air. According to the Japanese I could decipher, a scientific team was subsequently dispatched to compile a report on the newly formed bog of steaming water. I cannot imagine the work was all that challenging - interview a few locals, take a few measurements, fill out a few forms, and collect a check.
As a testament to those scientists, I took the time to jot down a few of the figures, and will use even more of my ever-so-valuable time to reproduce them on the internet for all the world to see. (By all the world, I actually mean only my mother and the weird stalker who won't stop emailing me.)
Time
was starting to run out, so we crossed out the remaining
attractions, including the "Crocodile Hell," and
decided to finish with the nearby "Tornado Hell."
This was basically a scaled down version of "Old
Faithful," found in Yellowstone National Park. We had a
15 minute wait before the next "showing," or pressurized
expulsion of water. I tried listening in on the
Cantonese conversation of the Hong Kong family in front
of me, but even at my peak I never would have understood
more than the odd word. As it stands, I was happy to
remember the basics like "can I help you?"
I
am taking the time to mention the Hong Kong family
because they turned out to be more interesting than the
actual water spout, which was still taking its time in
rewarding our patience. There was a young boy who was
being pestered by his sister's attempts to create a new
exercise routine using a mixture of karate and dance.
Being the immature idiot that I am, I couldn't help
jumping down to mimic her efforts until she finally
joined me for a few pictures.
Oh, and the water spout finally went off. It was interesting for the first 2.2 seconds, but even that was pushing it. In all honesty, the little girl's smile saved the day.
We
drove back to Oita City where I purchased my
SHINKANSEN train tickets for Hiroshima, back on
Japan's 'main' island of Honshu. My mother was
traveling with a Japanese Rail Pass, but I was without
such a luxury because it is only available for purchase
outside of Japan.
At the train station, I said goodbye to everyone as they set off for the airport, and then proceeded to load up on necessities for the upcoming train ride. The two most important things when riding a long-distance train in Japan are:
(1) Buy a quality BENTO box
(2) Buy beer
We caught the 12:14 SONIC train from Oita to Kokura (133km), and after a 15 minute wait we transferred onto the 13:47 NOZOMI train bound for Hiroshima. Being the idiot that I am, I failed to realize that my mother's Rail Pass is not valid for NOZOMI trains, which are the fastest in the Japanese fleet. Strangely, there is only a 3 minute time difference between the two trains on the short Kokura/Hiroshima route, and there is only a 2$ price difference, but that did not matter to the woman checking tickets on the train. She made us stand for most of the 45 minute train ride, which I thought was fairly harsh. In Japan, rules are rules.
From Hiroshima Station we transferred onto the Sanyo Line for the 30 minute ride to Miyajimaguchi Station. I left the two small suitcases behind our seats near the doorway, knowing full well that no one in Japan would steal them, but my mother was not fully adjusted to Japan's incredible safety and was constantly turning around to check them. I cannot say I blame her - in the United States I fear the bags would be gone by the third stop.
Judging
from those who alighted with us and the surrounding
area, Miyajimaguchi Station is used primarily as the
launching point for boats to Iwa Miya Jima (Miya
Jima Island). We bought two ferry tickets and crossed
the small channel separating Miya Jima from the mainland
of Honshu.
On the boat ride over one
of Japan's most identifiable sights came into view: the
red gate (TORII) of Itsukushima Shrine.
This is something I have seen in countless photographs
and advertisements while in Japan. Although foreigners
may associate Japanese tourism more with the likes of
Tokyo and Mt Fuji, I believe Japanese associate it more
with the likes of Kyoto and Miya Jima. Perhaps it is
because I have been so curious about the Japanese
culture, or perhaps the shrine really is that amazing,
but from the moment I first saw the TORII I could not
turn away. There is something special about the imposing
gate, which appears to be floating on the surface of the
water.
We
disembarked on the island after a short 20 minute boat
ride, and rather than taking a taxi as my mother wished
I decided to walk to our RYOUKAN, called IWASO.
After consulting with a friendly woman at the tourist
information desk, I circled its location on a
black-and-white print-out map and off we went. It was
late in the afternoon on a Monday so there were nowhere
near the number of tourists that exist on weekends at
peak hours. Indeed, one of the greatest advantages to
sleeping on the island, which is expensive and would
never have been possible for me if my mother was not
with me, is one has much of the island "to one's self"
when the ferries finish.
As is evident from several of the surrounding pictures, the island is well protected and wild deer are everywhere. Despite a great deal of development, all growth has proceeded with the interests of the island given first priority and this shows: the island is not tacky, it does not feel touristy (despite it being a purely tourist attraction), and raw nature is always just around the corner. This is a theme I will bring up again when I explore the island. Anyway, here are a few photos of me being, well, me. Also, the peace sign means something like "happy!" and is done by nearly every Japanese (and East Asian) when taking a photograph. When my mom first saw this she had no idea what on earth I was doing, which shocked me, but perhaps she is not the only one who has never seen this before.
We
checked into IWASO and were shown to a traditional
Japanese room on the fifth floor, with an amazing view
overlooking Istukushima Shrine. However, this prime real
estate does not even scratch the surface of where I
would be spending the night. IWASO is the mos


































































