July 2,
2008
Kyoto
JAPAN
Touring the Temples and Gardens of Kyoto, Lunch
at the Garden Oriental, and Traditional Japanese
Cormorant Fishing
Every day during SAKURA
season I was blown away by the beauty of the Japanese
cherry blossoms in full bloom. Even in Tokyo, a
sprawling metropolis, the cherry blossoms made one feel
as though one is floating through an imaginary dream
world. Well, little did I know that I was to
re-encounter such a swell of emotions in Japan's ancient
capital city, Kyoto.
In order to maximize my
time in Kyoto, Maki-san prepared a detailed itinerary of
things to do and emailed it to me early this morning. I
subsequently printed off the list of locations, phone
numbers, and corresponding background information in the
business center of the New Miyako Hotel. At 10:00 a.m.,
my mother and I set off for a full day of touring Kyoto
- with nine pages worth of documents in hand.
Our
first stop was at TOFUKUJI (1236), which is a
massive compound containing buildings, temples, and
gardens all built in the ZEN style. We had a
difficult time locating the attraction because it is
tucked away in a walled neighborhood in an old part of
Kyoto, which is really not saying much because much of
Kyoto is so old. Anyway, it took about 20 minutes of
searching and the help of numerous Japanese locals. As
another demonstration of the kindness of the Japanese
people, there was one elderly woman who gave me
directions, and then three minutes later pulled up
alongside me on her bicycle to say that I had made a
wrong turn - she had actually followed me to make sure I
did not get lost!
TOFUKUJI
was built by a famous statesman, KUJO MICHIIE,
during the KAMAKURA ERA. He was attempting to
create similar zen temples found in NARA, a
former Japanese capital city south of Kyoto. Each letter
of TOFUKUJI is a combination of one character from each
of these zen temple names in Nara.
We
approached the compound after crossing an old wooden
bridge, pictured to the right. Then, after passing
through an imposing gate (old homes in Kyoto are all
walled along the perimeter), the complex opened before
our eyes. We bought tickets at the ticketing counter and
proceeded through the zen gardens, saving the National
Treasure architecture for last.
While while most people try
to emulate the beauty of Western gardens, with exotic
flowers and ornate arrangements, I doubt anyone fails to
see the beauty of a Japanese garden with all its elegant
simplicity. The weather-worn wood, historic design,
perfectly sculpted landscape, immaculately raked stone
gardens, and the calming sensation created by
hand-planting every last flower and tree is something
that represents much of what I love about Japanese
culture. Once more, I was discovering the feeling of
MONO NO AWARE.
The
latter pictures above show the zen architecture,
including what is widely viewed as the best example of
all "Zen Buddhist Gates." I don't know enough to comment
on this, but I will say that it is far more imposing
than the pictures make it seem.


Since our schedule was
packed with different places to visit, we could not
afford to waste any time walking back to the train
station and transferring. Instead, my mother and I
hopped in a taxi for the 10 minute drive to
SANJUSAN-GENDO, which is the longest wooden building
in the world (nearly 120 meters).
What
makes this such an amazing attraction is not so much the
long building, or even the equally impressive
architecture in the surrounding complex, but the
collection of over 1,000 Buddhist statues. These
statues, carved out of cypress and layered in gold leaf,
are ten statues deep, and stretch the length of the
hall. Additionally, there are larger statues of
important BODHISATTVA every meter or two. Pictures were
forbidden inside the hall, but I conducted an internet
search that yielded the photo to the left.


By
the time we finished the second main attraction for the
day, it was already 13:00, and I had made a lunch
reservation at Kyoto's famous Garden Oriental
restaurant for 1:30p.m. Once more, we hopped in a taxi
and rode to one of Japan's most famous streets, NENE NO
MICHI (The Path of Nene), which is where the restaurant
is located. There were several men in business suits
waiting at the gate, and after calling inside to confirm
our reservation we were allowed through - such is the
prestige of this restaurant.
I ordered another
full-course meal with most of the dishes being
Japanese-prepared Italian, along with the obligatory
wine that I can only afford to drink when someone else
is paying.
The food, ambience, and service were first
class, as is indicated by this
newspaper article I found on the web.
After
lunch, I was feeling considerably more relaxed and was
less worried about "checking off all the boxes" on the
itinerary. Instead, I decided to slow down the frantic
touring pace, and so we embarked on an hour long walking
tour through downtown Kyoto. We started near NENE NO
MICHI, where a collection of up-scale shops were selling
rare Japanese cultural items. My mother was tempted by
the wood-block prints that hang on silk screens, but as
they were actual antiques - the kind of artwork a
connoisseur would appreciate enough to justify the high cost
- I persuaded her not to make any purchases. The photo
to the right, although different from what we saw, is of
the same general genre.
We
continued walking through the quiet backstreets of Kyoto
until we reached Yasaka Jinja, which lies at the
heart of the city. The shrine has long been connected
with the geisha community, for which Kyoto is
famous, but today I was not lucky
enough to see any firsthand. Perhaps I will just have to
save my pennies and pay for one's services in the future, although
with a minimum cost in the thousands of dollars, it may take a
while to justify the cost. Maybe I will just ask for a
bigger allowance... Or take up a life of crime.
The rest of the afternoon
and evening's sights are located in Western Kyoto, so we
rode the subway system for about an hour until we
reached Arashiyama. Riding Kyoto's trains made me
realize how spoiled I am in Tokyo where everything is so
efficient - trains come every few minutes and there are
so many to choose from that one is always rushing to
keep up. Whereas Tokyo is a mad, rush of a city, Kyoto
is more of a placid, calm city, and the public transportation
system reflects this.


I alighted from the train
at around 4:00 p.m., whereafter it was a 20 minute walk to what
is commonly accepted as Kyoto's finest Zen temple,
Tenryu-ji. Founded in 1339, the temple and
corresponding Zen garden have become a UNESCO World
Heritage Sight that remains unencumbered by numerous
tourists because of its out-of-the-way
location. I cannot imagine exploring Kyoto's temples
if there was not such quiet solitude - the gardens
and architecture have a captivating lure that would be
easily destroyed by pesky crowds and ignorant tourists -
but it may be unavoidable in peak tourist season.
One would think I would get
worn out after all the temples, rock gardens, and
walking tours, but Kyoto really is something special.
Perhaps more pictures will give an indication as to why.
The
temple complex closed at 6:00 p.m., but my mother and I
could not leave the Arashiyama District because we
wanted to experience UKAI, or Japanese cormorant
fishing, which would begin at 7:30 p.m in a nearby
river. We spent the next hour or so touring the nearby
shops - actually, I spent the hour sending off text
messages while trying to kill time - allowing my mother
to do some "much-needed" shopping.
We
bought tickets just after 7:00 p.m., and spent the next
30 minutes chatting while the Japanese fisherman
prepared the boats and cormorants. Cormorant fishing is
an interesting style of fishing, and one that I have
never seen before Asia. The way it works is the
following...
The
cormorant's neck is tied with a small string, preventing
it from swallowing any objects (such as a fish). A
separate string is tied around the bird's leg so that it
cannot fly away. Then, the bird is released in the river
where it dives to catch fish. Once the fisherman sees
the bird has a fish in its beak, it pulls the fish in,
and opens the birds mouth, releasing the fish into the
fisherman's neck.


Apparently nighttime is the
best time to fish because the fisherman can provide
artificial light, which makes the fish easier to spot. I
am not sure if I buy into this reasoning as the more
likely rationale is that the burning fires on the boats
makes a greater spectacle for paying tourists.

